Human Rights @ Lund

The Human Rights Profile Area at Lund University

Objects of Justice: Exploring the Human Dimension at Lund’s Museum of International Law

Valenting Jeutner holding an object ot the museum. Photo.
Video of Valentin Jeutner showing three artefacts from the Museum of International Law: a deck of cards, a stamp and a large piece of the Berlin Wall.

Watch the video on Youtube: https://youtu.be/F2lgBdrU6Oo (new tab)

By Drishti Alagh, Master of Law Candidate at Lund University and museum team member

Objects have been at the heart of human civilisations since time immemorial. From the bronze sculptures carved during the Indus Valley Civilisation to the artworks sketched (often in secrecy) by prisoners held captive in Nazi Germany’s concentration camps, objects perform a rather unique retroactive function of teleporting one back in time and invoking within oneself a spectrum of perplexities, emotions and ponderances. (International) law, in its constant pursuit of objectivity, rationality and structure, often seems to be disconnected from the everyday lives of people and their lived experiences. It tends to leave behind the humanistic dimensions of law usually by silencing the emotional and sentimental realities of those it affects. The Museum of International Law, however, explicitly challenges these perceptions and attempts to approach and understand the black letter law through the lens of objects. Undertaking this exercise through objects and material culture not only assists in extracting out the emotional underpinnings underlying international treaties or the painful realities hiding behind colonial ventures, but also overarchingly helps develop international law as a rather vivid context-based discipline, swerving organically through time and space.

Stemming from these notions, therefore, the Museum of International Law (MOIL) is a first of its kind initiative that engages with objects, in a way accentuating the relation between objects and individuals, in order to unravel the human dimension of international law. The evocative collection of objects exhibited in the Museum, from a piece of the Berlin Wall to the vivacious Lotus Collection, could be seen as the physical manifestation of the abstract international legal framework, illustrating the stories of individuals whose lives have been entwined with pivotal events that not only shaped the development of international law but also influenced the broader course of history.

Our aim is to bring law to life by exhibiting objects and sharing stories that reverberate the shifting dynamics between international law and the lives of ordinary human beings all across the globe, thereby bringing a humanistic as well as a human rights dimension, spanning across theory and practice, to the discipline of international law. Rather than displaying or depicting international law as a mere myriad of treaties signed and regulations adopted in distant institutions, MOIL is an intellectual space wholeheartedly devoted to exhibiting international law by way of its ubiquitous presence in the everyday lives, struggles and resistances of individuals and communities all around the world. With an unambiguous yet compelling aim of the humanisation of international law, the Museum displays objects that in essence, embody the lived effects of international law-making processes on the lives, emotions and experiences of people. From the UN blue helmet worn by a soldier to an ashtray used by someone aboard the French steamer S.S. Lotus, the museum’s collection not just encapsulates mere objects but also offers evidence of the profound and personal stakes of international law that are felt at the grassroot levels of societies. The museum is not a static archive of objects but a dynamic living space that spans across reflection and action.

Alongside exhibiting objects showcasing the tangible impacts of international law, the museum serves as a space for critical engagement with objects and a platform for voicing the often-marginalised experiences in formal legal discourses. Therefore, with the primary aim to bridge the gap between the theoretical and practical notions of international law, the museum hosts regular events such as discussions on current affairs, seminars and workshops by survivors, scholars, activists, legal practitioners, visiting researchers and artists to speak about the law from the ground up. These initiatives aim to inspire reflections on the promises and limitations of the international legal frameworks by creating dialogue between legal professionals, artists, historians, and communities affected by international law as well as students and learners of law. Very recently, for instance, the museum hosted a conversation with two Lund residents who experienced the end of the second world war as children in Germany, thereby giving all the attendees the opportunity to reflect upon the actual lived experiences of the two children amidst a significant and imperative historical event that shaped the course of contemporary international law.

Furthermore, instead of establishing itself solely as a static and archival exhibit of objects, MOIL aims to constantly and consistently deal with the fundamental questions surrounding international law and navigating through ways to reshape the law. The museum, in this sense, grows, develops and nurtures everyday as an ongoing process, as does the international legal discipline. Moreover, by centring the stories of individuals behind international legal events and their lived experiences and realities evoked through these events, the museum helps reveal the profound moral and emotional dimensions of international law, that are evident in its capacity to heal, its potential for harm, and its indispensable role in the pursuit of dignity, accountability, and justice. The museum is in itself an organic entity where law meets life by way of the stories, emotions and most importantly, objects of those touched by international law, reminding us that behind every treaty signed by states or every legal principle adopted through a judicial decision is a person, a struggle, and a story worth telling, for law is inextricably etched in its own humanness.


Visiting the Museum of International Law

The Museum of International Law has already had a soft launch in the premises of the Raoul Wallenberg Institute in Lund. However, the plan is to open the museum in a more accessible and appropriate location at the Faculty of Law in the near future. For now, the museum is only open by appointment. To book, email: contact@internationallawmuseum.org.

Museum website: https://internationallawmuseum.org/ (new tab)

Visit the museum´s digital Lotus exhibition: https://artspaces.kunstmatrix.com/en/exhibition/14304052/lotus-collection (new tab)

This entry was posted in

Articles News